My friend Brian (the weather witch) recently wrote a blog post about judging a book by its first sentence. This concept intrigued me because it’s not really something I notice. My strategy for deciding if I will like a book or not usually involves reading until I get bored and then deciding if I’m far enough along to warrant finishing anyway. A lot of times I’ll end up slogging through despite boredom (although I do have a separate shelf on my GoodReads account for books I started but couldn’t finish). Most of the time I feel honor bound to finish a book, since so much of what I read is chosen to increase my librarian abilities, not satisfy personal taste. I mean, clearly.
But maybe there IS a kind of first sentence that really draws me in, at least subconsciously, so I decided to look at the first sentences of every book I’ve ever considered my favorite. It turns out, a lot of them started in medias res, or at least just jumping right on into some action without any annoying framing or scene setting. Let me hit you with some examples:
“This time there would be no witnesses.”
Dirk Gently’s Holistic Detective Agency by Douglas Adams
I know, if one of your favorite books is by Douglas Adams, it almost has to be Hitchhiker’s Guide to the Galaxy, and believe me, I am ALL ABOUT manic depressive robots having conversations with sentient mattresses, but Dirk Gently’s Holistic Detective Agency has always been closer to my heart. I used to think it was because it combined my love of “Rime of the Ancient Mariner”, time travel, and vindictive horoscope writers, but now I’m thinking maybe it’s all in the first sentence. Hitchhiker’s, after all, begins with some scene setting. Some massively general scene setting:
“Far out in the uncharted backwaters of the unfashionable end of the Western Spiral arm of the Galaxy lies a small unregarded yellow sun.”
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
I’m not saying it’s bad, but it doesn’t draw me in as immediately. With the former I immediately want to know 1) what are you doing that you don’t want anyone to see? and 2) what happened LAST time? With the latter I just kind of nod and say “Yep”. Here’s an even more dramatic example:
“So this was how it ended.”
Devilish by Maureen Johnson
How WHAT ended? I thought this book was about teen girls and cupcakes! Although, in retrospect, the title should have clued me in that this book is more serious business. Still:
The Face of the Devil
“There was no doubt about it: there was a fox behind the climbing frame.”
Un Lun Dun by China Mieville
This sentence kind of makes me feel like I’ve just come in at the tail end of an argument that goes “That’s totally a fox, you guys!!!” “No, it can’t be!” “It SO is! Look! Look!” Also, I’m not sure what a climbing frame is, so, again, SUSPENSE until I figure it out. I even used this tactic in my own book, although granted not as dramatically as Adams or Johnson:
“Etheos grumbled something inaudible to himself, but ate the muffin anyway.”
The Knight, the Wizard, and the Lady Pig by Patricia Ladd
I mean, what could possibly be so wrong with a muffin, Etheos? Unless it’s gross or something, and then why are you eating it? Is someone forcing you? Why is your name Etheos? How do you say that, anyway? SO MANY QUESTIONS. Or maybe I just have an affinity for baked goods, whatever.
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